It manages to heighten the romance and emotions in your mind by its sheer format and the acting prowess of the lead actors, considering they have very little to no contact at all throughout. Hence I guess the more romantic you are, the more intensely you will feel the film. They carry this story that is beautifully told and allows the viewer to use their imaginations. The main actors are the perfect remedy for this Much Ado About Nothing film for romantics only. They have rules and promises to keep not to research each other, but simply correspond with an honesty in a way only strangers can. It is a journey between two people, each one finding in each other, exactly what they needed at that time in their lives. Will their virtual connection that grows stronger with each passing message survive the test of a real-life encounter? And what will happen if they do, considering Emmi is a married woman, and Leo has intimacy issues.īased on the international bestseller from Daniel Glattauer and from the producers of Toni Erdmann, this romantic drama is an entertaining epistolary cyber romance. The unavoidable question about meeting face to face arises. Thus begins an extraordinary email exchange and easy-going banter - one that could only be held between two strangers.Īnd as strangers treading the fine line between complete strangeness and noncommittal intimacy, the two are soon sharing their innermost secrets and longings.
A repeat email when she doesn't hear from the magazine, elicits a response from Leo who decides to inform her of her mistake. It's a modern love story that takes a thoughtful look at the nature of human relationships.Įmmi just wants to cancel her subscription to Like Magazine, but sends her email to the wrong inbox. The cast also includes Ulrich Thomsen as Emmi's husband Bernhard, Ella Rumpf as Adrienne, Leo's sister and Claudia Elsinger as Marlene, Leo's girlfriend. While Hearing Music is a more thorough representation of Brouk's range as a composer, The Space Between is some of her most blissful, reflective work.The Space Between The Lines stars Nora Tschirner (Rabbit Without Ears) and Alexander Fehling (Labyrinth of Lies) as Emmi and Leo, and is directed by Vanessa Jopp. "Golden Cloud Layers" is the album's strangest piece, consisting of nebulous, possibly backwards drones rather than notes, but even this sounds pleasant and refreshing rather than dark or ominous. "Winter Chimes" has soft, echoing chimes behind pianos and tremolo vibrations, continuing "The Space Between"'s feeling of floating on a gentle pond. "Chimes and Bells" has clear, simple melodies played on a saron (an Indonesian metallic percussion instrument traditionally used in gamelan), seemingly meant to express the joy and beauty in simply existing. Slow, resounding piano notes meander underneath busier, more chipper piano playing, and the effect is both relaxing and playful. The album's title track (also included on Brouk's 2016 anthology Hearing Music) is a 22-minute sail across a vast, shimmering sea, much like the album's cover art.
1981's The Space Between is one of her earliest releases, and it represents her music at its most soothing and meditative. While she came from a contemporary classical background, having studied under Robert Ashley and Terry Riley, her music was embraced by the new age community due to its healing qualities. Throughout her career as a musician, Joanna Brouk composed sparse, serene pieces inspired by natural frequencies of the world.
0 kommentar(er)
